Interview by Julia Sorensen We originally published this March 2021 interview in our April newsletter, but it’s far too good to leave buried in there. The podcast episode he recorded in conjunction with this interview is out now. What drives you as an artist? An irrepressible compulsion to make stuff, which is probably quite universal across people’s reasons for making…
It was World Poetry Day on March 21! To help us celebrate, we got some of our volunteers from the QMU Masters in Arts, Festival & Cultural Management to curate some world poetry to share with you! (You’ll be treated to poetry by one of our volunteers if you read all the way to the end! It’s worth it. Trust us)….
by Kevin Williamson I’ve no idea if Seamus Heaney published his perceptive essay on Robert Burns on the 25th January or thereabouts. Here in Scotland you’d struggle to place an article on Burns outside the allocated few days at the end of January. Such are the ways in which our media puts its toe in the poetry waters. The hale clamjamfry…
The cat’s out the bag guys… 👀👀👀 https://www.scotsman.com/whats-on/arts-and-entertainment/hopes-poetry-transform-streets-edinburgh-under-plans-dedicated-new-festival-3071081?r=24https://www.scotsman.com/whats-on/arts-and-entertainment/hopes-poetry-transform-streets-edinburgh-under-plans-dedicated-new-festival-3071081?r=24
Turns out we were wrong… this is NOT Edinburgh’s first poetry festival. There was a one off operation c.1999 featuring none other than Eddie Morgan himself. Were you there? Tell us more!
I’ve loved Norman MacCaig since I was at school. His mice, squeaking small hosannahs in the byre, his ‘room size monster with a matchbox brain’ and his tiny, jewel like frogs opening the door to a love of language that has opened every other door for me since. He showed how language could reveal and subvert and celebrate and be…
Today is Norman MacCaig’s birthday. A teenager in ripped jeans and a PiL T-shirt stands curious at the poetry section in Thurso Library. Where to begin. John Cooper Clarke and Linton Kwesi Johnson had worked their magic on vinyl but the reading was another thing. He looks at the yellow and white cover of a slim volume, placed at the…
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